Lauten Audio - LS-308 Microphone - Side-Address Large Diaphragm Condenser Microphone

Noise rejecting, high-dynamic range microphone to be used as a problem solver in challenging recording situations when isolation is needed but difficult to achieve.

Usually ships within 2-3 days

INNOVATIVE DESIGN

Designed for use in studio, broadcast, and sound reinforcement environments when sources are in very close proximity and isolation of those sources is difficult; for example, a small commentators booth with multiple commentators, or rejecting drums from a guitar amp on a tight stage. The LS-308 is a large-diaphragm condenser microphone featuring 270 degrees of off-axis frequency rejection combined with ultra-high dynamic range. Constructed from high-quality components and outfitted with frequency shaping high and low-cut filters, the LS-308 offers excellent handling capabilities. It includes two different mounting options, a foam windscreen, and a road case.

270 DEGREES OF REJECTION

The LS-308 offers 270 degrees of side and rear frequency rejection reducing nearby sound by up to 25dB. The rejection is achieved with Lauten Audios’ unique dual, large-diaphragm pressure gradient transducer element in combination with its specially designed circuit.

CLOSE PROXIMITY ENVIRONMENTS

The LS-308 is intended for use in environments where there are multiple sources in close proximity, for example, small live rooms with multiple musicians playing, close-quarter broadcast commentary, or when the rejection of other instruments or crowds live on-stage or in sound reinforcement is desired.

NO ATTENUATOR NEEDED

The LS-308 does not require pre-attenuation and can handle 135 dB+ of SPL. The circuit also allows for an ultra-wide 120 db of dynamic range. These features give engineers the ability to capture high dynamic sources and in noisy environments.

INDEPENDENT FILTERS

The Independent, multi-stage, high and low-cut filters help engineers balance recordings at the microphone and aid in successfully capturing the performance reducing the need for mixing. The 2-stage low-cut aids in reducing low-end rumble, muddiness, and proximity effect. The 2-stage high-cut helps tame bright instruments and high frequencies.

FEATURES:

• Full 120 dB (135 dB total) of dynamic range
• Wide frequency response
• Excellent off-axis sound rejection
• Independent 2-stage low & high-cut filters
• Internally shock mounted pressure dual-gradient condenser element
• Includes, hard mount, windscreen, and hard case